In 2023, Storm founded the Hamptons Black Arts Council—a 501(c)3 nonprofit charitable organization based in New York State — which is dedicated to upholding the legacy of Black art institutions on the East End of Long Island. Storm’s development of the Hamptons Black Arts Council focuses on Advocacy, Acquisition Development, and Infrastructure and Operations. Storm’s curatorial work and community involvement through HBAC has increased awareness of Black art organizations through public programming, education, and networking; grown the contemporary collections of artwork by artists of diverse backgrounds through exhibitions and fundraising; and maintained their museum galleries and staff retention through fundraising. Recent exhibitions through The Hamptons Black Arts Council mission include Tariku Shiferaw’s first museum solo show Making Space:One of These Black Boys at the Southampton African American Museum, as well as Spectrum of Echoes, an exhibition in partnership with UBS which included works by Sanford Biggers, Tomashi Jackson, Che Lovelace and more.

Storm worked at various galleries and institutions prior to starting her curatorial program and organizations, such as LAXART under Hamza Walker, David Lewis Gallery, Marciano Foundation, and Spruth Magers. She has curated for the Eastville Museum in Sag Harbor, Phillips New York, Phillips Los Angeles, Southampton African American Museum, UBS Global Art, and OOLITE Arts in Miami.

She is on the Advisory Board of Inversion Art, which invests in and stewards visual artists who are at an inflection point in their careers. She is also on the board of Rose House Residency, an artist incubator program in a Victorian home in Cobleskill, NY, and the Core Committee of The Circuit, a Black arts coalition. She is on the steering committee of the Art Basel Women’s Wealth Summit with Unlocked Foundation and UBS Women’s Wealth Segment, which has a mission to close the gender pay-gap across industries.

Storm was awarded the Alumni Scholarship award at The School of Visual Arts in 2018 for her thesis documentary and paper #gentrify2017 and delivered the valedictorian speech at her graduation from SVA at Radio City Music Hall, along with artists Maya Lin and Milton Glaser. She has contributed extensively as an independent writer and art critic to Cultured Magazine—most notably her profile of artist Wangechi Mutu and curator Claudia Schmuckli for their museum presentation at the Legion of Honor in San Francisco. Other writing contributions include TiltWest, The Brilliance of the Color Black Through the Eyes of Art Collectors, Widewalls, Galerie Lelong, and more. She has been featured in The New York Times, The Los Angeles Times, W Magazine, Hyperallergic, CULTURED, Artsy, The Miami Times and others. She was recently named in The New Generation of Black Women Gallerists by Artsy and the Dan’s Papers Power List of the East End.

Nadia recently earned her Master’s in Curatorial Practice from USC Roski School of Art & Design and centered her thesis on the myth of memory and its intersections with art and site in Los Angeles. She holds a B.A. in Literature from the University of California, Santa Cruz, and studied at the Université Lumiére Lyon in France. Nadia is currently working on two exhibitions associated with Getty’s PST ART: Art & Science Collide. These include Beatriz da Costa: (un)disciplinary tactics at Los Angeles Contemporary Exhibitions and We Place Life at the Center at the Vincent Price Art Museum, opening September 2024.

Previously, as chief curator of Faena Art in Miami Beach and Buenos Aires, Lukov organized the first Faena Festival in 2018 This is Not America, and its follow-up in 2019 The Last Supper, in addition to major solo exhibitions by internationally recognized artists throughout the Faena Districts. She is also a founding board member of Desert X, the nonprofit site-specific exhibition based in California, and recently produced a documentary about Desert X 2021 which premiered at the Getty Museum, aired on PBS, and was featured in the Palm Springs International Film Festival, the Riviera International Film Festival, and nominated for an Emmy award. Lukov’s independent curatorial projects such as Fair, an alternative all women non-commercial art fair that took place within a shopping mall, and Holy Water, have been widely lauded in the press and across creative communities. Lukov cut her teeth working with Jeffrey Deitch at MOCA Los Angeles and with Franklin Sirmans on Prospect.3, the New Orleans biennial. She was a 2010/2011 Fulbright Scholar in Colombia and is a graduate of Oberlin College.