Tag: Exhibition Tour

Canal Projects introduces “Lithium Sex Demons in the Factory,” the inaugural New York solo show for Los Angeles artist Candice Lin. Our tour will be hosted by Artistic Director Summer Guthery. This project, a collaborative effort between Canal Projects and the 14th Gwangju Biennale, involves the recreation of a lithium battery factory as a site-specific installation. This endeavor seamlessly extends the artist’s persistent exploration of themes of globalization, intricate trade networks, the nature of materials, and the dynamics of labor.

Canal Projects is a nonprofit, women-led contemporary art institution dedicated to supporting forward-thinking international artists at pivotal moments in their careers. Through production, exhibition, research and interpretation of this work they foster artistic practices that challenge and reflect the current moment.

Candice Lin has gained recognition for her innovative use of diverse materials: from tea and cactus tinctures to fungi and deceased bats—accentuating their unique characteristics, such as scents and flavors. Lin repurposes presentation techniques commonly linked with anthropology and natural history, investigating their colonial narratives. Her work has been exhibited at Portikus, Frankfurt (2018); Moderna Museet, Stockholm (2017); Bétonsalon—Center for Art and Research, Paris (2017); Human Resources, Los Angeles (2017); New Museum, New York (2017); SculptureCenter, Long Island City, New York (2017); Los Angeles Contemporary Exhibitions (2016); and Vincent Price Art Museum, Los Angeles (2013), among others. She is the recipient of several residencies, grants, and fellowships, including a California Community Foundation Award (2014), Fine Arts Work Center Residency (2012), Frankfurter Kunstverein Deutsche Börse Residency (2010), and Smithsonian Artist Research Fellowship (2009).

Thank you to ArtTable NY Chapter Member Diana McClure for initiating this program.

Please visit Canal Project’s website for visitor accessibility, health, and safety information.

Admission:

• ArtTable Members – $10
• ArtTable Member Guests – $20
• Public – $25

Not a member? Join today!

This program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Please note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs.

Image: Candice Lin, Lithium Sex Demons in the Factory, 2023. Installation view, 14th Gwangju Biennale (Apr 7 – Jul 9, 2023). Commissioned by the 14th Gwangju Biennale and Canal Projects. Image courtesy the artist, François Ghebaly Gallery and the Gwangju Biennale Foundation. Photo: glimworkers.

About the Curator

Summer Guthery is the Artistic Director of Canal Projects, a new non-profit organization in New York City’s Soho neighborhood. Prior to this she was the Director of JOAN, a not-for-profit exhibition space focusing on emerging and underrepresented artists and the Curator of Performance and Public Programming at LAXART in Los Angeles. In 2013 & 2011 she was the Assistant Curator of Performa Biennial 2013 & 2011. Her writing can be seen in Frieze, Artforum, ArtReview, and Art in America. Guthery received an M.A. from the Center for Curatorial Studies at Bard College.

Join Vice President for Exhibitions and Programming at New York Botanical Garden, Joanna L. Groarke, to usher in the first day of fall at one of New York City’s gems! Experience the beauty of gardens through the eyes of celebrated contemporary artist Ebony G. Patterson. Known for her lavishly-detailed mixed media installations, Patterson brings her signature style to the Enid A. Haupt Conservatory and New York Botanical Garden landscape and galleries in a major site-specific exhibition featuring provocative displays of art and nature. Patterson’s work explores entanglements of race, gender and colonialism while inviting visitors to contemplate their own relationships with gardens and the natural world. ArtTable members and guests will enjoy a bespoke, guided tour of the work, rain or shine, as much of it is viewable from indoors. Please note we have limited spots available. Book yours today!


SUBWAY DIRECTIONS

• B, D, or 4 trains to Bedford Park Blvd. Station. Take the Bx26 bus east to the Garden’s Mosholu Entrance OR walk eight blocks down the hill on Bedford Park Blvd (20 min). Turn left onto Southern Blvd. and walk one block to Mosholu Entrance.

• 2 train to Allerton Ave. station. Walk three blocks west on Allerton Ave. Turn left on Bronx Park East and walk two blocks to Waring Ave. At the park entrance, walk up the small hill leading directly to the Garden’s East Gate.

Visit the NYBG website for directions by car, accessibility information, and visitor policies.

Admission

• ArtTable Members – $50
• Guests – $60
• Public -$65

Not a member? Join today!

This program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Images: Detail of Ebony G. Patterson things come to thrive…in the shedding…in the molting (2023) in the Palms of the World Gallery of the Enid A. Haupt Conservatory (NYBG Photo).

Ebony G. Patterson received her BFA in painting from Edna Manley College of Visual and Performing Arts in Kingston, Jamaica in 2004. She received an MFA degree in 2006 in printmaking and drawing from the Sam Fox School of Design & Visual Arts at Washington University in St. Louis.

Patterson has taught at the University of Virginia; Edna Manley College School of Visual and Performing Arts; has served as Associate Professor in Painting and Mixed Media at the University of Kentucky; and was the Bill and Stephanie Sick Distinguished Visiting Professor at the School of the Art Institute of Chicago. She has been featured in biennials worldwide including Liverpool (2021), Athens (2021), São Paulo (2016), and Havana (2015). Her work is in the collections of institutions including 21c Museum and Foundation, Louisville, Kentucky; Art Gallery of Ontario, Toronto; Los Angeles County Museum of Art, Los Angeles, CA; Museum of Art and Design, New York; Nasher Museum, Duke University, Durham, NC; the National Gallery of Jamaica, Kingston; the Pérez Art Museum Miami; San Francisco Museum of Modern Art; Speed Art Museum, Louisville, Kentucky; Studio Museum in Harlem; the Virginia Museum of Fine Art; and the Whitney Museum of American Art. Patterson is Co-Artistic Director, along with curator Miranda Lash, of Prospect.6 New Orleans, slated to open in Fall 2024.

Joanna L. Groarke is the Vice President for Exhibitions and Programming at New York Botanical Garden where she has led a team that develops exhibitions, interpretive materials and publications, and public programming integrating NYBG’s multidisciplinary mission areas of science, education, and horticulture. Her service to NYBG extends over 10 years, having previously worked as Director of Public Engagement & Library Exhibitions Curator, Curator of Interpretive Content for Public Engagement, and Interpretive Specialist. She has more than 15 years of experience creating exhibitions, events, and audience development programs for institutions including the Irish Arts Center and Tufts University Art Gallery. She will bring to her new role extensive experience in innovative, visitor-centered exhibition and program development, purposeful strategy and business planning, and building talented, motivated teams.

Her strength in program planning and implementation is complemented by her involvement with the American Alliance of Museums as a Board Member & Program Co-Chair for the National Association for Museum Exhibition. In 2018, she was awarded the Gold Davey Award for Best User Experience for the Georgia O’Keeffe Interactive Guide. Groarke holds a bachelor of arts in sociology from The College of William and Mary and a master of arts in Art History from Tufts University.

There’s still plenty of time to enjoy The Hamptons this summer! Join ArtTable at Exhibition The Barn—Frampton Co’s Fine Art space in Bridgehampton, New York. “Women Choose Women” spans the 1950s to today, including work by Lynne Drexler, Elaine de Kooning, Grace Hartigan, Nanette Carter, Elizabeth Osborne, and Susan Vecsey. This exhibition is curated by Christine Berry and Martha Campbell, co-founders of Berry Campbell, and Elena Frampton, principal of Frampton Co. Berry Campbell is known for bringing to light artists who were overlooked due to age, race, gender or geography, particularly women of Abstract Expressionism. Frampton Co focuses on contemporary art and design with emphasis on promoting emerging and undiscovered mid-career artists. We’ll enjoy a tour of the exhibition with Christine Berry & Elena Frampton, and then relax and network with a glass of Prosecco or seltzer, courtesy of the gallery.

The exhibition “Women Choose Women” derives its name and curatorial focus from a significant event at the New York Cultural Center in 1973. Curated by Lucy Lippard and a committee of female artists, this groundbreaking exhibition marked the first major display of women artists in New York. It left a profound impact not only within the art community but also in society at large. The 2023 exhibition, bearing the same name, follows in the footsteps of its predecessor, embodying a collaborative and effective approach. It firmly believes that advocating for women in the arts remains just as vital today as it was half a century ago.

Thank you to Courtney Burbela for her work on this event.

Transportation to Bridgehampton is self-serve:
Visit the Long Island Railroad (LIRR) website or Hampton Jitney website to book train or bus travel to Bridgehampton. (The train is approximately 2.5 hours from downtown Manhattan; bus and car vary according to traffic conditions. Please note that Friday evening commuter traffic can be heavy in the area.)
The gallery is a 5-minute walk from the train and Jitney stops.
Link to Google Maps

Admission:

• ArtTable Members – $10
• Member Guests – $20
• Non-Members – $25

Not a member? Join today!

Image: Ethel Schwabacher “Wild Honey” 1961. Oil on linen 84″ x 70″ (c) Estate of Ethel Schwabacher, courtesy of Berry Campbell.

About the Curators

(c) Blaine Davis Portrait. Martha Campbell, Christine Berry, Elena Frampton

Elena Frampton founded Frampton Co on Cinco de Mayo 2015, following nearly two decades at the helm of a successful bi-coastal design practice and honing her craft at some of New York’s most prestigious interior design firms. Through a wholly-integrated approach, Elena makes sense of every space and brings out its spirit. Her knack for clever solutions that strike a balance between pragmatism and personality draws even the most cautious of clients into her process.

With an infectious enthusiasm for art and a rigorous understanding of design theory, she is an expert in creating consistently one-of-a-kind environments that transcend boundaries. Elena’s innate ability to shape space goes back to a childhood of balancing two worlds, between her maternal Mexican family in Los Angeles and the Midwestern farm on her father’s side. Her experience of navigating the desert landscapes of Arizona at college, with its bounty of interventions, inspires the construction of the layers and ‘reveals’ that characterize her design and curatorial practice. This, combined with her keen eye for detail, is key to the surprising combinations and unexpected applications that make her stand out as an unparalleled talent uniquely positioned in both the art and design worlds. Her curious nature and strong desire to forge connections fuels a constant search for new forms of creative expression. The vision culminates with Exhibition The Barn; the Bridgehampton gallery where she curates an ever-changing display of notable and under-the-radar works and her own original furnishings,
F Collection.

Christine Berry and Martha Campbell opened Berry Campbell in the heart of Chelsea in 2013. The gallery has a fine-tuned program representing artists of post-war American painting that have been overlooked or neglected, particularly women of Abstract Expressionism. Since its inception, the gallery has developed a strong emphasis in research to bring to light artists overlooked due to age, race, gender, or geography. This unique perspective has been increasingly recognized by curators, collectors, and the press. Berry Campbell has been included and reviewed in publications such as Art in America, Artforum, Artnet News, Artnews, The Brooklyn Rail, Huffington Post, the New York Times, and Wall Street Journal.