RE/ VIEW: The Future of International Storage, Travel and Care for Collections

We are currently at capacity for this event. If you’d like to listen in live we will be streaming this on our Youtube page. Please head here to watch along!

Introducing RE/ VIEW, an online program discussion series to address reopening and reimagining museums, art spaces and institutions across the country. Understanding that this crisis has upended previous conditions and revealed vulnerabilities in how we exhibit, present and view art, we invite leaders across our field to strategize for the future. This event is open to members and non-members with a $15 suggested donation. 


Join ArtTable for a RE/ VIEW program on the future of international loans, insurance, couriers and storage. We’ll be discussing inventive solution building when moving a work across borders during a global pandemic, as well as new logistical measures and responsibilities taken on by institutions, collectors and art spaces within and outside of the US.

How will this affect an international market? How are registrars, handlers and art services working to return works and provide safe access to collections? During this event, we will hear from Sydney Briggs, Associate Registrar, Collections, Museum of Modern Art, Jacqueline Cabrera, Principal, Cabrera+Art+Management, and Melissa Osterwind, Chief Operating Officer, SRI Fine Art Services. This conversation will be moderated by Jessica Porter, Lila Harnett Executive Director, ArtTable.

About the participants:

Sydney Briggs is an Associate Registrar with a 20-year career managing the permanent collections of the Departments of Painting and Sculpture, Media and Performance Art, and Drawings and Prints at The Museum of Modern Art, NY. Most recently, she was the Lead registrar for the reinstallation of MoMA’s newly expanded 4thfloor permanent collection galleries, collaboratively overseeing the installation of a variety of works spanning the late 1930s – 1970s. She has couriered fragile works of art, managed complex installations, and organized shipments of incoming acquisitions and loans both domestically and internationally. She is integrally involved in ongoing collection maintenance for the museum’s Gilbert B. and Lila Silverman Fluxus and Instruction Drawings Collections. She has guest lectured on contemporary exhibition management for museum studies at New York University. She co-published an article on collaborative work practices in the Journal of the American Institute for Conservation, and has blogged about her work documenting installations for the former Inside/Out-A MoMA/PS1 blog. Before joining MoMA she was a registrar for Sotheby’s NY, and began her career as a gallery assistant for June Kelly Gallery, NY. She holds a BA in the History of Art from Wesleyan University and has studied graduate art history at City University of New York/ Hunter College.

Jacqueline Cabrera is Principal at Cabrera + Art + Management, a company that focuses on registration and collection management projects for both the private and public sector. She is a founding board member and past President of the Association of Registrars and Collection Specialists (ARCS), and founder and host of the Registrar Hour. The Registrar Hour is an international weekly Zoom hour specifically for registrars, topics covered included fine art shipping, art couriers, fine art insurance, disaster planning, re-opening plans, digital condition reports and indemnity schemes. Over the years she has served on the Program Committees for American Alliance of Museums, Western Museum Association, the California Association of Museums and Art Table, Inc. She also served as Chair of the Registrars Committee Western Region, as a board member of the Western Museum Association, and participated in the leadership training program at the Getty Leadership Institute (Claremont University). From 1996 to 2016, she was an exhibition registrar at the J. Paul Getty Museum and Getty Villa. Prior to joining the Getty in 1996 she was the Registrar at the Long Beach Museum of Art and previously a Painting Department Assistant at Sotheby’s.

Melissa Osterwind holds a Masters Degree in Public Administration from Syracuse University, with a Finance concentration. Prior to her tenure as Chief Operating Officer at SRI Fine Art Services, Melissa was the Controller at the NYC Department of Health and Mental Hygiene and oversaw their $1.6 billion expense budget. She joined SRI in 2013 and immediately felt that company’s commitment to supporting the arts and other cultural institutions aligned with her call to public service.

Melissa has used her extensive financial and team-building experience to guide SRI through record growth; doubling the staff, storage footprint and gross sales over the past six years. Her success is hinged on providing tailored logistics solutions to gallerists, museums, and private collectors coupled with excellent client relationships.

RE/ VIEW | Expanding Reach and Audience with Augmented and Virtual Reality

Clockwise from top left: Sisa Bueno, Vashti DuBois and Robin White Owen

 Introducing RE/ VIEW, an online program discussion series to address reopening and reimagining museums, art spaces and institutions across the country. Understanding that this crisis has upended previous conditions and revealed vulnerabilities in how we exhibit, present and view art, we invite leaders across our field to strategize for the future. This event is open to members and non-members with a $15 suggested donation. 

How to take part!

  1. Register here
  2. Following registration you will receive call-in information in the form of a ZOOM link
  3. Before joining a Zoom meeting on a computer or mobile device, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively, you will be prompted to download and install Zoom when you click a join link.
  4. For further instruction on how to use Zoom, see here.

Join ArtTable for a discussion on using augmented reality (AR) and virtual reality (VR) tools to expand an institutions’ reach and programming. During this discussion we will hear from Sisa Bueno, founder of Vuevelo, an AR platform that works alongside museums, Vashti DuBois, Executive Director/Founder of the Colored Girls Museum that is working with AR/VR to develop a virtual experience that connects artists, educators and technologists with everyday women of the African diaspora, and Robin White Owen, Co-founder and Principal of Media Combo, which works within museums again focusing on AR/VR.

Sisa Bueno

Originally from New York City, Sisa Bueno is an Afro-Latina film & multimedia maker who is fascinated by people of all cultures and seeks to awaken our own empowerment. She studied both film production and interactive technologies at the Tisch School of the Arts at New York University (NYU). The NBC Network named Sisa a 2013 Latina Innovator for her upcoming documentary “To the Mountains,” which takes place in Bolivia, South America. Sisa is a recipient of the ITVS-PBS Diversity Development grant, HotDocs CrossCurrents grant, and BAVC MediaMaker fellow for her current work in progress, “For Venida, For Kalief.”

Sisa is also currently a 2018-2020 Member of the NEW INC tech incubator program within the New Museum working with Augmented Reality (AR) developing an art-viewing app tentatively called Vuevelo (currently in prototype stage). The goal is to provide an enhanced curated experience via an interactive AR platform that gives extra media content for featured works of art in real time. Her fascination with finding solutions for providing additional context, and her experimentation with VR and AR technology inspired her to create the Vuevelo platform to fulfill an existing need for art lovers seeking more vetted information about the works that they love straight from the creators/curators themselves.

Vashti DuBois

Prior to creating The Colored Girls Museum (TCGM), Vashti DuBois held leadership positions at a number of organizations over the span of her 30-year career in non-profit and arts administration. DuBois’ work focused primarily on issues impacting girls and women of color at organizations such as The Free Library of Philadelphia, Tree House Books, the historic Church of the Advocate, the Children’s Art Carnival in New York City, the Haymarket People’s Fund in Boston, Congreso Girls Center and The Leeway Foundation.

In 2015, DuBois opened TCGM to “honor the stories, experiences and history of Colored Girls throughout the African Diaspora.” It is the first memoir museum of its kind offering visitors a multi-disciplinary experience in a residential space. TCGM initiates the “ordinary” object, submitted by the colored girl herself, as a representative of an aspect of her story and personal history which she finds meaningful.

TCGM has been engineered to pop up in other cities and neighborhoods around the country, transforming ordinary spaces into Colored Girls Museum outposts that collect, archive and share the stories of indigenous Colored Girls.

DuBois is a graduate of Wesleyan University and a NAMAC Fellow. She is currently working on a book about the making of The Colored Girls Museum.

Robin White Owen

Robin White Owen is a Principal and Creative Producer at MediaCombo, a digital media studio she founded with her husband, Michael Owen, in 2004 in New York. They produce user friendly and engaging experiences in virtual reality, augmented reality and interactive applications, as well as audio tours and videos. These projects are designed to build engagement, relationships and knowledge.

Virtual Reality (VR) and Augmented Reality (AR) create immersive experiences that can accomplish these goals because they help visitors gain a deeper, more personal understanding of a story.

She is currently completing Tracing Paint: the Pollock-Krasner Studio in VR, a VR experience for the Pollock-Krasner House and Study Center in East Hampton, NY. Visitors in Quest VR headsets will find themselves in the studio as it looked when first Pollock and then Krasner painted their most iconic works there, seeing those paintings in situ, and hearing the artists speak about their process.

Her first AR project was an AR audio tour at The Morgan Library & Museum, launched in December 2018, The 1907 Tour: Pierpont Morgan’s Library Revealed. It takes advantage of the unique attributes of augmented reality to merge the past with the present, blending time and distance, delving into Morgan’s personal life, and his sources of inspiration.

Her first Virtual Reality project was a 3D virtual tour of We Are Nature, a ground- breaking exhibition examining the human causes of climate change, at the Carnegie Museum of Natural History in Pittsburgh.

In addition to producing in VR & AR, Robin has produced interactive applications, sim games, websites, audio tours and video programs for a broad spectrum of internationally known cultural and civic organizations, and corporations, including the Rubin Museum of Art, The Museum of the City of New York (MCNY), the International Center of Photography (ICP), the American Museum of Natural History, the New-York Historical Society, the Jewish Museum, the Brooklyn Navy Yard Development Corporation, and Metropolitan Transit Authority Capital Construction (MTACC).

Robin has been a member of ArtTable for many years, serving on the Program Committee for several of them. At present she volunteers as Co-Chair of the Media, Technology & Design Commission in the Career & Technology Education program at the NYC Dept of Education, and is an Advisory Board Member of Calm Clarity. She frequently presents at museum and technical conferences on AR and VR in museums and has recently written on this topic for the touring museum exhibition platform TEO.

RE/ VIEW| Staffing & Leadership with The Philadelphia Museum of Art’s Union Leaders

The Philadelphia Museum of Art. Photo: Sang-Min Yoon/Flickr.

Introducing RE/ VIEW, an online program discussion series to address reopening and reimagining museums, art spaces and institutions across the country. Understanding that this crisis has upended previous conditions and revealed vulnerabilities in how we exhibit, present and view art, we invite leaders across our field to strategize for the future. This event is open to members and non-members with a $15 suggested donation. 

  1. Register here
  2. Following registration you will receive call-in information in the form of a ZOOM link
  3. Before joining a Zoom meeting on a computer or mobile device, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively, you will be prompted to download and install Zoom when you click a join link.
  4. For further instruction on how to use Zoom, see here.

Join ArtTable for a conversation on staffing, leadership and unions with two of the main organizers behind the Philadelphia Museum of Art’s recently founded workers’ union. We’ll hear from Nicole Elizabeth Cook, Ph.D., Program Manager for Graduate Academic Partnerships and Sarah Shaw, Museum Educator and Coordinator of the Education Resource Center at the Philadelphia Museum of Art on organizing during this pandemic, the challenges that unions are facing during this time and how unions are shifting operations to support members as museums plan to reopen. 

This will provide an opportunity to hear directly from Sarah and Nicole on building a union and supporting workers at the PMA, while addressing issues related to staffing and reopening. How are museums prioritizing operations in order to work with smaller teams? What departments are we seeing dissolve and what is being prioritized during this time?

Sarah Shaw is a Museum Educator and Coordinator of the Education Resource Center at the Philadelphia Museum of Art. In her role as Resource Center Coordinator, she works closely with classroom teachers, teaching artists, pre-service teachers and other educators to integrate visual arts into all kinds of teaching and learning. She was previously a classroom teacher in Philadelphia public, charter, and independent schools and earned an M.A. and M.S.Ed. from the University of Pennsylvania.

Nicole Elizabeth Cook is a Program Manager for Graduate Academic Partnerships at the Philadelphia Museum of Art. She develops and coordinates object-based study workshops and other initiatives for graduate students and she also works with undergraduate and graduate fellows at the museum. Nicole holds a Ph.D. in Art History from University of Delaware and a M.A. from Tyler School of Art, Temple University. She has previously worked in research, curatorial, and educational positions at private art collections, arts nonprofits, and museums. Her personal research currently focuses on interdisciplinary approaches to early modern women artists.

Nicole Elizabeth Cook
Sarah Shaw

POSTPONED: RE/ VIEW | The Rise of the Regional: Recovering Mid-sized Institutions

Introducing RE/ VIEW, an online program discussion series to address reopening and reimagining museums, art spaces and institutions across the country. Understanding that this crisis has upended previous conditions and revealed vulnerabilities in how we exhibit, present and view art, we invite leaders across our field to strategize for the future. This event is open to members and non-members with a $5.00 minimum donation. 

How to take part!

  1. THIS EVENT HAS BEEN POSTPONED. PLEASE STAY TUNED FOR A LATER DAY.
  2. Following registration you will receive call-in information in the form of a ZOOM link
  3. Before joining a Zoom meeting on a computer or mobile device, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively, you will be prompted to download and install Zoom when you click a join link.
  4. For further instruction on how to use Zoom, see here.

ArtTable invites three museum directors to discuss the specific challenges faced by local, regional mid sized institutions. Join Masha Turchinsky, Hudson River Museum, Belinda Tate, Kalamazoo Institute of Arts, and Jill Snyder, MOCA Cleveland for a conversation on rebuilding community-driven institutions. We’ll discuss creative problem solving, unique public and private funding challenges and strategic reopening plans. 

Jill Snyder, Executive Director, moCa Cleveland

Jill Snyder is one of the chief architects of Cleveland’s cultural scene. Since 1996, with confidence and vision, she has leveraged moCa Cleveland’s artistic beginnings as a small but mighty showcase for once-unknown artists like Andy Warhol into an emblem of Cleveland’s renaissance and a hotbed of new ideas. Along the way, she has shaped conversations about the public value of museums and contemporary art.

In 2012, she completed with moCa’s staff and board an iconic $35M building project in University Circle that anchors the new Uptown district. The project is paid for and debt-free. In under three years, new moCa has gone from attracting 15,000 to 40,000 visitors annually. She has expanded public outreach, commissioning new work by emerging artists and deepening education through public programming.

Under Snyder, moCa is recognized by patrons, artists and art institutions internationally for its adventurous programming. She combines a formidable intellect and deep ties to the art scenes of New York and other cultural capitols with fierce Cleveland pride and a driving determination to forge communities and alliances that go beyond the museum’s walls. Recent moCa programs have straddled sectors as diverse as business, technology, health care, religion, activism, and Cleveland’s vibrant food scene.

A museum professional for over 30 years, Snyder has held administrative and educational positions at the Guggenheim Museum and Museum of Modern Art, and served as Director of The Aldrich Museum and Freedman Gallery at Albright College. 

Snyder has participated in various leadership programs at The Getty Leadership Institute, Stanford University School of Business, Leadership Cleveland and National Art Strategies. She is co-founder of the national association of Contemporary Art Museum Directors and serves on the Boards of the Cleveland Leadership Center and University Circle Incorporated.  She is a member of In Counsel with Women and The 50 Club.

Belinda A. Tate, Executive Director, Kalamazoo Institute of Arts

Belinda A. Tate is Executive Director for the Kalamazoo Institute of Arts, serving since 2014.

Belinda Tate is a community bridge builder who embraces the KIA’s vision that the visual arts are for everyone. She works to provide a cultural platform that welcomes and is inclusive of all people. Through hands-on, engaged leadership, she provides strategic direction for a team of seven senior leaders who manage a complex institution consisting of development and marketing, exhibitions and collections, museum education and library services (11,000 volumes), and the Kirk Newman Art School (more than 3,300 students). The organization maintains a budget of approximately $4MM, and is powered by 98 staff and faculty and 300 volunteers who serve more than 100,000 patrons annually in Southwest Michigan.

She received her undergraduate degree in Art History/Museum Studies from Yale University and her MA in Liberal Studies from Wake Forest University. She has traveled extensively to more than 19 countries in Europe and Africa and has served as a Fulbright-Hayes Fellow, where she evaluated South African public education a decade after the end of apartheid. 


Ms. Tate currently serves on the boards of directors for the Association of Art Museum Directors and the American Federation of Arts. She also serves on the American Alliance of Museum’s Task Force on Diversity, Equity, Accessibility and Inclusion in Museum Excellence. 

Masha Turchinsky, Director and CEO, The Hudson River Museum

Masha Turchinsky is Director and CEO of the Hudson River Museum, where she oversees the largest cultural organization in Westchester County, New York. With a mission to connect diverse communities through the power of arts, sciences and history, the HRM’s collections include nineteenth-century to contemporary American art; Glenview, a Gilded Age home on the National Register of Historic Places; an environmental teaching gallery; a state-of-the-art planetarium; and an amphitheater dedicated to the performing arts. Under Turchinsky’s direction, the Hudson River Museum garnered the 2019 Engaging Communities Award from the Museum Association of New York for the collecting initiative and exhibition Through Our Eyes: Milestones and Memories of African Americans in Yonkers and the 2019 Award for Excellence in Publications for Maya Lin: A River Is a Drawing by the Greater Hudson Heritage Network. She is currently overseeing a $10+ million capital expansion and improvement project at the Museum. Previously, Turchinsky worked for nineteen years at the Metropolitan Museum of Art in the Digital and Education Departments, overseeing teams dedicated to original content and design. While at the Met, she also served as delegate to the board of trustees. As a consultant, she has worked with the Gilder Lehrman Institute of American History and the New York Botanical Garden. She is a member of the Association of Art Museum Directors and currently serves on ArtTable’s national Board of Directors. Turchinsky holds an EdM in International Educational Development from Teachers College, Columbia University, an MA in Education from New York University, and a BS in Russian Studies from Georgetown University.


Other events in this series: 

Tuesday, June 16: Transparency and Accountability: Staffing, Leadership and Unions

Tuesday, June 30: Decentralizing the museum: Digital tools and Creating Community online

… more to come! 

RE/ VIEW | Navigating Public Defunding

Introducing RE/ VIEW, an online program discussion series to address reopening and reimagining museums, art spaces and institutions across the country. Understanding that this crisis has upended previous conditions and revealed vulnerabilities in how we exhibit, present and view art, we invite leaders across our field to strategize for the future. This event is open to members and non-members with a 5$ minimum donation. 

  1. Register here
  2. Following registration you will receive call-in information in the form of a ZOOM link
  3. Before joining a Zoom meeting on a computer or mobile device, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively, you will be prompted to download and install Zoom when you click a join link.
  4. For further instruction on how to use Zoom, see here.

ArtTable’s Philadelphia chapter brings together our city’s female arts leaders to discuss strategizing the future of Arts and Culture in the wake of drastic public budget cuts of the city’s arts programs. Earlier in May, Mayor Jim Kenny introduced a 2021 budget proposal that eliminates both the Philadelphia Cultural Fund and the Office of Arts and Culture and Creative Economy. ArtTable will discuss this industry-threatening cut, the potential impact, and the organizational efforts taken by arts communities to stay afloat during this crisis.

Participants:

Valerie Gay, Deputy Director for Audience Engagement & Chief Experience Officer, Barnes Foundation

Before joining Art Sanctuary as executive director in 2012, Gay served as Assistant Dean for Institutional Advancement for Temple University’s College of Education, as well as the College of Education’s Director of Development and Alumni Affairs. She also held the position of Vice President and Portfolio Manager with PNC Advisors, where she managed investment portfolios of high net-worth individuals and family trusts. In 2006, Gay founded Fortress Arts Academy, a nonprofit that provides arts and skill-building lessons to children and adults, especially those in underserved communities. In 2017, she co-founded Davis Gay + Associates, a firm providing targeted support for nonprofit and social-venture organizations seeking to solve societal problems. She also cofounded the EVER Ensemble, a collective of women musicians who perform diverse musical genres, from classical to hip-hop.

Gay serves on the boards of directors for the Barra Foundation and the Philadelphia Cultural Fund, and is a member of the Arts + Business Council for Greater Philadelphia’s Advisory Board. She also currently serves on Mayor Jim Kenney’s Council for the Arts. She earned a Bachelor of Music in Voice Performance from the University of the Arts and a Master of Music in Vocal Performance and a Professional Studies Certificate at Temple University’s Boyer College of Music and Dance. She also completed degree coursework at Peabody Conservatory of the Johns Hopkins University and is a Certified Financial Planner.

Jane Golden, Founder and Executive Director Mural Arts Philadelphia

Jane Golden has been the driving force of Mural Arts Philadelphia since its inception in 1984, overseeing its growth from a small city agency into the nation’s largest public art program. Under Golden’s direction, Mural Arts has created over 4,000 works of transformative public art through community engagement. In partnership with innovative collaborators, she has developed groundbreaking and rigorous programs that employ the power of art to transform practice and policies related to youth education, restorative justice, environmental issues and behavioral health. Sought-after nationally and internationally as an expert on urban transformation through art, Golden has received numerous awards for her work, including the Eisenhower Exchange Fellowship Award and Philadelphia Magazine’s Trailblazer Award. She is an adjunct professor at the University of Pennsylvania, and serves on the Mayor’s Cultural Advisory Council, the Penn Museum Advisory Committee, and the board of directors of The Heliotrope Foundation.

Liz Grimaldi, Executive Director, Fleisher Art Memorial

Liz Grimaldi is the Executive Director of Fleisher Art Memorial, the country’s oldest community art school. Today, Fleisher is a celebrated and thriving community arts center, driven by a mission to make art accessible to everyone, regardless of economic means, background or artistic experience. Fleisher offers creative learning opportunities to more than 20,000 people each year through free and low-cost classes, long-term artist residencies in public schools and community centers throughout Southeast Philadelphia, a robust exhibitions program, and ColorWheels, its mobile art studio. This summer, Fleisher is the lead arts education provider for 3,000 children in the City of Philadelphia’s 150 summer recreation sites.

 Before Fleisher, Grimaldi was the Executive Director of The Village of Arts and Humanities, where she co-founded the youth-driven arts and culture publication, CRED magazine, piloted a digital media program with the US Attorney’s Office, and helped launch PhillyEarth, a center for environmental education. During her tenure, Grimaldi advocated for the City’s definition of economic development activities to include independent contractors such as artists and program instructors, resulting in an $850,000 tax credit to be redirected towards the creative economy and youth entrepreneurship education.

Prior to the States, Grimaldi lived in Hong Kong, Barcelona, and Rome, and worked for Galería Senda and Cabinet Magazine. Liz holds a B.A. in Fine Arts from Bryn Mawr College and lives in Philadelphia with her husband, two daughters, and pet tarantula.

Christina Vassallo, Executive Director of the Fabric Workshop and Museum

Christina Vassallo was appointed Executive Director of the Fabric Workshop and Museum, in Philadelphia, effective January 2, 2020. Previously, she spent six productive years as Executive + Artistic Director of SPACES, in Cleveland, where she provided creative direction and oversaw operations for one of the longest running alternative art organizations in the country. Before relocating to Cleveland, she was Executive Director of Flux Factory, in NYC, where she set the course for an expansive art collective and residency program. She is currently completing the Chief Executive Program of National Arts Strategies with a nonforprofit certificate from Harvard Business School, as well as a Fall 2020 fellowship through the German Marshall Fund.

Moderator:

Rachel Zimmerman, Founding Artistic and Executive Director, InLiquid
Rachel Zimmerman is the Founding Artistic and Executive Director of InLiquid, a non-profit visual arts organization, with over 20 years of experience in managing and curating art and design projects. Through her leadership, InLiquid continues to support the careers and creative practices of over 300 working artists each year and produces over 40 public exhibitions annually.

InLiquid has been honored with numerous awards, including Philadelphia Magazine’s Best of Philly Award for Affordable Art and The Culture Trip’s Pennsylvania Local Favorite Award. Zimmerman has also received citations from the Commonwealth of Pennsylvania and the City of Philadelphia, as well as a nomination for the 2017 Rad Award for Nonprofit of the Year (Rad Girls). At InLiquid’s recent 20th Anniversary Celebration, Philadelphia’s Chief Cultural Officer, Kelly Lee presented a mayoral proclamation to InLiquid for its work in creating a vibrant visual arts community in Philadelphia.

As an artist and curator, Zimmerman has been named one of the region’s “Top 101 Emerging Connectors” in 2008, as well as a Creative Connector by Leadership Philadelphia. She is a Leadership Philadelphia and Designing Leadership alumna, and has served on numerous committees from Design Philadelphia to the executive board of the Philadelphia Cultural Fund. Currently, she is on the art advisory committees of CFEVA and the Main Line Art Center, the co- chair of ArtTable (Philadelphia), and the Creative Industries Working Group (Philadelphia Office of Arts, Culture and the Creative Economy, City of Philadelphia) and a board member of the Greater Philadelphia Cultural Alliance.

Other events in this series: 

Tuesday, June 23: The Rise of the Regional: Recovering Mid-sized Institutions

Tuesday, June 30: Decentralizing the museum: Digital tools and Creating Community online

… more to come! 

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